We complement each other very very well." "Hayley on the other hand is a lot more chilled and relaxed, she never gets stressed, so she helps me to calm down and think before making rash decisions. "I’m extremely self-driven, wanting to do everything at once and a hundred miles an hour all the time," Dan says. They are confident about their partnership on the show, citing their strong communication as one of the reasons why they "never ever argue". What have they said about being on Hunted? He met Hayley, a 27-year-old HR officer, at one of his facilities and the couple now live together with their beloved dog, Luna. Joseph’s SLASH Film Festival Shorts Reviews: “Hairsucker,” “From.Who are Hayley and Daniel? Hayley and Daniel are a couple from Wigan who have been together for three years.ĭaniel, 33, co-owns two gyms and a health kitchen, a job which he adores despite its demanding 14-hour days.Sinister Six: A Half-Dozen Films We Can’t Wait to See at Brooklyn Horror Film Festival.Sharon’s Book Report: The House Next Door.Mike’s Review: Third Saturday in October Part IV (2022 Popcorn Frights Film Festival).Mike’s Book Report: Whisper Down The Lane (2021).Trailer Alert: Knock at the Cabin (2023).The Scariest Things Episode 152: The Top 100 Horror Movies of All Time #100-81.Lovecraft Film Festival 2022 Press Release The Scariest Things Episode 153: The Top 100 Horror Movies of All Time #80-61.Liz’s Book Report: Mary: An Awakening of Terror.Liz’s Review: The Antares Paradox (Fantastic Fest 2022).Liz’s Review: Deep Fear (Fantastic Fest 2022).Liz’s Review: The Elderly (Fantastic Fest 2022).This film is currently making its way through the festival circuit. You’ll be satisfied and you’ll get to see what real cinematic revenge looks like. If it’s revenge you’re after truck on over to your local video store and rent a copy of They Call Her One Eye. The Little Red Riding Hood homage is thin, the revenge story is rote, and most importantly, the Eve character is so undeveloped that the audience is never really invested in her survival or her ability to carry out her revenge. One can only assume the spiritual nature of the woods calls back to the earlier exposition, but in the end it doesn’t really matter if these things are connected or not. The audience becomes rather aware that the “Wolf” will die, Riding Hood will have her revenge, and the woods will magically save her. What ensues is a cat/mouse or Wolf/Riding Hood chase through the woods. Unaware that a wild boar is simultaneously crossing the road (…there maybe be a mixed metaphor involving the Big Bad Wolf, but that’s for you to interpret), the car crashes and Eve, a little banged up and still slightly restrained, is able to escape. On the way through the woods the “Wolf” insists that his accomplice show him his loyalty and plant a big old kiss on him. The “Wolf” quickly becomes extra sinister, hyper-violent, and unbearably condescending in a way that only archetype super killers can. It becomes increasingly clear that Eve isn’t going home and that there’s a good chance she’s now a part of a snuff film abduction happening. A couple drinks, a cigarette or two, and a pile of smooching later, the two find themselves in a car piloted by the “Wolf’s” accomplice who’s also unnamed. Dressed all in red (see Little Red Riding Hood) she meets up with a smarmy but seemingly well meaning, but unnamed, wolf-like character ( Christian Bronchart). Bored and frustrated with her current spate in life she seeks out an evening at a Euro disco. The film really follows a young architect, Eve ( Lucie Debay) in the middle of a hurried job trying to balance the wants and needs of a budding romance against her career. While the initial tale is an interesting and well-conceived piece of exposition, it’s mostly left on the table, and only lightly, reviewed later the film. Imagine Aquaman in the woods but with a very tepid Little Red Riding Hood allegory.
As the group’s pariah she quickly acquaints herself with all of nature’s offerings and learns to harness its ecological powers.
The tale goes something like this…religious zealots follow a religious nut out in to woods and eventually a female member of the party is cast out and declared a witch. Sadly, for 2020’s The Hunted, the answer is D.ĭirected by Vincent Paronnoud, The Hunted opens with a well shot, fascinating piece of lore, that gives the audience a heavy dose of (perceived) foreshadowing that will surely come to play later in the film. A) In most cases they go back to the well, B) there’s always a sequel, or prequel, or a reboot, C) the idea is reimagined through the lens of an out of copyright idea, story, or myth, or D) they just run out of ideas. What in the world happens when filmmakers run out of ideas? Well, it’s rather simple.
0 kommentar(er)
